• Source: Le jongleur de Notre-Dame

Le jongleur de Notre-Dame is a three-act opera (labelled in the programme as Miracle in Three Acts) by Jules Massenet to a French libretto by Maurice Léna. It was first performed at the Opéra Garnier in Monte Carlo on 18 February 1902. It is one of five operas Massenet set in the Middle Ages, the others being Le Cid (1885), Esclarmonde (1889), Grisélidis (1901), and Panurge (1913).




Background


At this stage of his career, the concierge of Massenet's Paris home would normally sort out speculative libretti submitted to the composer, but the concierge being absent Massenet unexpectedly received the package from Léna and read it through on the train to his country home in Égreville. It is based on the story of the same name by Anatole France in his 1892 collection L'Étui de nacre, which was in turn based on a 13th-century medieval legend by the monk and troubadour Gautier de Coincy, c. 1220. Massenet had previously used France as a source for his 1894 opera Thaïs. In Le jongleur, uniquely for this composer, there are no roles of substance for women: the angels are off-stage and the virgin is mute. The work was composed in the spring of 1901, it became the first of his operas to receive its premiere at the Opéra in Monte-Carlo run by Raoul Gunsbourg.
In a centenary survey of the operatic output of Massenet, Rodney Milnes noted that "Le Jongleur is written off by too many because of its sentiment", despite the humorous characterization of the rival monks; the work also has Brother Boniface's Légende de la Sauge which recounts how the sage herb safe-guarded the infant Jesus from the soldiers during the Flight to Egypt. The work alternates morality and comedy, devotion and character portrait, and through different tones and colours avoids mawkishness and melodrama. Massenet inscribed the words Heureux les simples, car ils verront Dieu at the top of the manuscript score; Milnes noted that "simplicity was the guiding light without which this sentimental 'miracle in three acts' could have been a little sticky. As it is, it is profoundly moving, though of course one should not take the simplicity at face value – Massenet's infallible sense of theatrical effect lies behind every bar."
Despite its setting and cast list, a researcher has commented on the difficulty in pinning down real quotes from liturgical music in the score, although "parts of the opera convey the impression that they use existing material", because of what is described as "Massenet’s technique of approximation and transformation". Jean's Alléluia du vin in act 1, or the monks' Benedicite are both hard to match with an existing setting, and while they "may sound like real sacred music, it is virtually impossible to verify any specific origin".




Performance history


Following the 1902 premiere in Monte Carlo, the opera was seen in Paris at the Opéra-Comique on 10 May 1904, with Maréchal repeating his premiere role, Lucien Fugère as Boniface, and André Allard as Prior. Later revivals included principal singers Charles Friant, Marcel Claudel (Jean), Jean Vieuille (Boniface), and Hector Dufranne (Prior). Up to 1950 the opera received 356 performances at the Salle Favart. Fugère was still playing Boniface at the Opéra-Comique in 1922 aged 74; it is likely that the role of Boniface was written specifically for him.

Opera impresario Oscar Hammerstein I envisioned recasting the role of Jean the juggler as a star vehicle for the famous soprano Mary Garden with his Manhattan Opera Company; a casting choice which, according to some sources, horrified composer Massenet, who meant the role for a tenor. She performed the role for the work's United States premiere on November 27, 1908, at the Manhattan Opera House. Garden popularised the opera in the United States, performing it widely and with some frequency through 1931. Hammerstein also cast Jean as a soprano when he staged the work at his London Opera House in 1911, this time with French soprano Victoria Fer. After Garden's final performance of Jean with the Chicago Opera Company in 1931, the work was not performed in the United States again until soprano Colette D'Arville portrayed Jean with the Newark Civic Grand Opera in April 1942.
The work was revived at the Opéra-Comique in 1954, passing the 400th performance at the house, with André Dran singing Jean with "great charm and intelligence... even the juggling tricks and the dances were convincingly performed"; Louis Musy was Boniface, and Albert Wolff conducted. It was produced in Nantes in 1979 with Albert Voli in the title role and Jean-Christophe Benoît as Boniface. Preceded by Massenet's ballet Cigale, contemporary of the opera, Le jongleur was performed at the Massenet Festival in 2005 conducted by Laurent Campellone with American tenor, Jesús Garcia, "whose theatrical and gymnastic experience stood him in good stead" as Jean, Lionel Lhote as Boniface, and Fernand Bernadi as the Prior, in a production by Jean-Louis Pichon.
Outside France, the opera was seen at the Théâtre Municipal (Avenue Bourguibain) in Tunis in 1912. After its local premiere in 1904 it was regularly revived at La Monnaie (Brussells) up to November 1956, where the lead role was taken Jean Marcor in his stage debut, with Jean Laffont as Boniface and Germain Ghislain the Abbot. A production of Le jongleur de Notre-Dame in Boston in 1961 by the New England Opera Theater featured "singer-actor-juggler-dancer" Tommy Rall; Spiro Malas was Boniface. Yan Pascal Tortelier conducted the opera at Wexford in 1984, with Patrick Power, Sergei Leiferkus and Christian du Plessis. The first performances at the Teatro dell'Opera in Rome were in April 2000, conducted by Gianluigi Gelmetti with Cecilia Gasdia and Massimo Giordano sharing the title role, and Massimiliano Gagliardo as Boniface and Nicolai Ghiaurov as Prior.
In Monte-Carlo in May 1978, the complete opera was recorded in stereo for the first time, and this recording, with the tenor Alain Vanzo as Jean and Jules Bastin as Boniface, was reissued on compact disc in 2003, followed by another CD containing a 1974 radio performance of the work, again with Vanzo.




Roles






Synopsis


Place: France
Time: Medieval period




= Act 1, Place de Cluny

=
There is singing and dancing in front of the monastery; Jean, a juggler, wants to earn money entertaining passers-by. Rejecting his clumsy tricks, they demand a profane song 'Halleluiah to wine'. He resists at first but then sings it. The prior appears and takes Jean to task but seeing that Jean is filled with remorse, the prior asks him to join the monks, to save his soul and body.




= Act 2, the cloisters

=
Inside the monastery the monks undertake their various duties. Jean sees that although they honour the Virgin with beautiful Latin prayers, he is unable to offer her any thing. The other monks quarrel as they offer to take him as a pupil. Befriended by the monastery's cook, Boniface sings him the legend of the sagebush which humbly opened its branches to shelter the Infant Jesus as He slept. When Jean sees that the other monks are offering lavish and beautiful gifts to the newly completed statue of the Virgin Mary, he, having no real gift, resolves to do what he can do best.




= Act 3, in the chapel

=
The painter and sculptor monks admire their newly completed statue of the Virgin. As Jean enters the former hides behind a pillar, and watches as the juggler takes his habit off and puts his old street clothes on, at which the hidden monk goes to warn the prior. Playing his hurdy-gurdy, he dances, until the other monks enter, horrified, and are about to seize Jean to reprimand him for blasphemy. Boniface stops them as the statue of the Virgin comes to life, holds out her arms and blesses Jean. Jean falls to his knees as a heavenly light glows from the altar the Virgin ascends to Heaven. As the prior sings the words Massenet placed at the top of his score Heureux les simples, car ils verront Dieu (Blessed are the poor in spirit for they will find God), Jean dies, and the other monks, and angels, sing Amen.




Recordings


Gabriel Soulacroix recorded the Prior's air, which he created, for Pathé in 1902/1903. Mary Garden, David Devriès, Marcel Claudel and Géori Boué popularized the aria "Ô liberté, ma mie".
The Légende de la sauge for Boniface has been recorded many times, singers including Paolo Ananian in 1907, Antonio Magini-Coletti in 1909 in Italian, Louis Dupuoy (as Jean Duez) in 1910, Édouard Rouard in 1921, Giuseppe Danise in 1926, Lucien Fugère in 1928, Étienne Billot in 1928, Vanni Marcoux in 1930, Roger Bourdin in 1933 and Michel Dens in 1947.
There have been two complete studio recordings:

1978: Alain Vanzo (Jean), Jules Bastin (Boniface), Marc Vento (Prior); Orchestra and Chorus of the Opéra de Monte-Carlo, Roger Boutry (EMI-Pathé)
2007: Roberto Alagna (Jean), Stefano Antonucci (Boniface), Francesco Ellero d'Artegna (Prior). Orchestre National de Montpellier Languedoc-Roussillon, Enrique Diemecke (Deutsche Grammophon)




References



Works cited

Ziolkowski, Jan M. (2018). "The Diva". The Juggler of Notre Dame and the Medievalizing of Modernity. Vol. 4. Picture That: Making a Show of the Jongleur. Open Book Publishers. pp. 85–158. doi:10.11647/obp.0147. ISBN 9781783745296. JSTOR j.ctv8d5t5s.5. OCLC 1076287479 – via OAPEN.




Further reading


Upton, George P.; Borowski, Felix (1928). The Standard Opera Guide. New York: Blue Ribbon Books. pp. 191–193.
Kobbé, Gustav (1976). The Complete Opera Book. New York: G. P. Putnam's Sons. pp. 873–875.




External links



Le jongleur de Notre-Dame (Massenet): Scores at the International Music Score Library Project
Libretto, opera.stanford.edu (in English)
• Source: Le Jongleur de Notre Dame

Le Jongleur de Notre Dame is a religious miracle story by the French author Anatole France, first printed in a newspaper in 1890, and published in a short story collection in 1892. It is based on an old medieval legend, similar to the later Christmas carol The Little Drummer Boy.




Plot


The title character is a monk who was formerly a carnival performer. The other monks all have made beautiful works in honor of the Virgin Mary: hymns, icons, stained glass windows, and so on. But he has no such craft. So one night he goes into the chapel and performs his best juggling tricks before the statue of the Virgin. The other monks see this and would punish him for blasphemy, but the statue comes to life and blesses the juggler for his gift.




Adaptations of the story






= Books

=
THE LITTLE JUGGLER and Other French Tales Retold (1917), by children's author and illustrator Violet Moore Higgins
The Juggler of Our Lady (1957), by cartoonist R.O. Blechman
The Little Juggler (1961), by American children's author and illustrator Barbara Cooney
The Clown of God (1974), picture book by children's author and illustrator Tomie dePaola
In 1980, an anthology of science fiction stories titled The Best of All Possible Worlds for Ace Books featured five of Spider Robinson's favorite stories by select authors, together with a favorite story recommended by each of those authors. Mr. Robinson contributed a self-translated version of the story, titled "Our Lady's Juggler," in response to learning that the story was Robert A. Heinlein's favorite short story of all time.




= Film and television

=
The Greatest Gift (1942), a short subject with Edmund Gwenn as the juggler Bartholomé and Hans Conried as one of the other monks
The Juggler of Our Lady (1958), an animated Terrytoons short based on the Blechman adaptation, narrated by Boris Karloff, which was nominated for a BAFTA award
"The Young Juggler" (1960), Episode 26 of Startime, starring Tony Curtis
"Christmas Stories: The Little Juggler" (1968), Episode 645 of the British television series Jackanory
The Juggler of Notre Dame (also Magic Legend of the Juggler, and Legend of the Juggler) (1970), an obscure, low budget, feature-length film starring Barry Dennen in the title role, and featuring such actors as Walter Slezak, Willoughby Goddard, and Joe E. Ross
The Juggler of Notre Dame (1982), an Americanized, modernized adaptation of the story, filmed for television in color, starring Carl Carlsson, a real juggler, as Barnaby, Eugene Roche as the Prior, Father Delany, and Merlin Olsen and Melinda Dillon as additional characters created for this version




= Radio

=
"Joppe the Juggler" (1950), an episode of Family Theater, broadcast during the Christmas season, starring Wallace Ford as the juggler, with opening and closing remarks by Spencer Tracy
During the Golden Age of Radio, the story was broadcast several times, usually under the title "The Juggler of Our Lady", and nearly always on the then-popular radio series Family Theater. Screen Guild Theatre broadcast a version in 1940 narrated by Ronald Colman, with songs provided by Nelson Eddy.




= Other media

=
Le jongleur de Notre-Dame (1902), an opera by Jules Massenet
The Juggler of Our Lady" (1965), a 30-minute dance/movement theater piece by American choreographer and dancer Flower Hujer and artist and choreographer Miller Richardson, performed by a cast of twenty dancers, mostly in churches, with several revivals for the next 25 years. Hujer herself performed the role of the figure of the Virgin Mary brought to life. It was filmed and telecast on the program "Lamp Unto My Feet", on WCBS-TV, New York, May 2, 1965.
"Barnaby the Juggler" (2003), spoken by Andy Griffith on his Christmas/Gospel album, The Christmas Guest.




References

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