• Source: Sean Shepherd

      • Sean Shepherd is an American composer based in New York City and Chicago. His work has been performed by major orchestras, ensembles, and performers across the United States, Europe, and Asia. Performances include those with the Boston Symphony Orchestra, the Cleveland Orchestra, the New York Philharmonic, the National Symphony Orchestra, the BBC Symphony Orchestra, and New World Symphony Orchestra, at festivals including the Aldeburgh Festival, Heidelberger Frühling, La Jolla Music Festival, Lucerne Festival, Santa Fe Chamber Music Festival, and Tanglewood, and with leading European ensembles including Ensemble Intercontemporain, the Scharoun Ensemble Berlin, the Asko/Schönberg Ensemble and the Birmingham Contemporary Music Group.


      Early life and education


      Shepherd was born in 1979 in Reno, Nevada. He performed his undergraduate work at the Jacobs School of Music at Indiana University Bloomington, where he studied under David Dzubay and American composer Claude Baker. His graduate work was completed at the Juilliard School, where he studied with American composer Robert Beaser, followed by doctoral studies under Puerto Rican Composer Roberto Sierra and American Composer Steven Stucky at Cornell University.


      Career


      In 2012, Shepherd was named the Kravis Emerging Composer of the New York Philharmonic. Shepherd's "Blue Blazes" premiered with National Symphony Orchestra under the direction of Christoph Eschenbach in 2013.
      In 2021, Shepherd's work was featured at the Tanglewood Music Festival and at the Santa Fe Chamber Music Festival. His work was deemed a "season highlight" when performed at the Cabrillo Festival of Contemporary Music in 2021.
      Shepherd served as a finalist judge in the 2021 Broadcast Music, Inc.'s 69th Annual Student Composer Awards.
      He is currently a visiting assistant professor of composition at the University of Chicago.
      In 2023, Shepherd was awarded the 2024 Charles Ives Living Award, which includes a 2 year stipend allowing a composer to focus solely on creating new works.


      Works




      = Orchestral

      =
      Blue Blazes, 2012
      Concerto for Ensemble, 2014–15
      Desert Garden, 2011
      Downtime, 2021
      Express Abstractionism, 2017
      Magiya, 2013
      Melt, 2018
      Silvery Rills, 2011
      Songs, 2013
      Sprout, 2021
      Tuolumne, 2012
      Wanderlust, 2009


      = Ensemble and Chamber Without Voices

      =
      Aperture in Shift, for violin, cello, and piano, 2006
      the birds are nervous, the birds are scattered, for clarinet, violin, and piano, 2008
      Blur, for ensemble, 2011
      Lumens, for ensemble, 2005
      Means of Escape, for violin, cello, and clarinet
      Metamorphoses, for ensemble, 2004
      Octet, for ensemble, 2008
      Old Instruments, for flute and percussion, 2021
      Quartet for Oboe and Strings, for oboe quartet, 2011
      Quintet, for chamber ensemble 2013
      String Quartet No. 1, for string quartet, 2005
      String Quartet No. 2, for string quartet, 2015
      String Quartet No. 3, for string quartet, 2020
      Tiny Bright Big True Real, for oboe, bassoon, and piano, 2022
      Trio, for piano trio, 2012
      Twilight, for bassoon and string quartet, 2001
      Vignette: Four Vinaigrettes, for woodwind quintet, 2003/05
      Wanderlust – Seagulls on High, for large ensemble, 2007


      = Ensemble and Chamber With Voices

      =
      New Poems – 1907, mezzo-soprano and ensemble, 2002–03
      Ozymandias, for solo voices SATB, string quartet, and clarinet, 2005


      = Instrumental

      =
      Dust, for violin and piano, 2008
      Echo, for oboe, 2017
      familiar, for cello, 2022
      ribboned/braided/spun, for harp, 2014
      wideOPENwide, for violin, 2016


      = Chamber Orchestra

      =
      These Particular Circumstances, 2009


      = Choral

      =
      The Daffodils, 2013


      = Piano

      =
      Preludes, 2005–06


      = Solo Instrument and Orchestra

      =
      On a Clear Day, Cello


      References

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